Editorial filmmaking is where everything started for me; the place where I learnt to blend storytelling, instinct, and technical versatility into one approach. Since 2009 I’ve travelled the world with publications such as TopGear Magazine, often working solo with limited time and no second chances. That meant rigging cars for onboards, capturing interviews on the move, flying drones in unfamiliar terrain, and gathering local atmosphere before the moment passed. Those constraints taught me how to adapt quickly and still deliver images that feel considered and cinematic. That foundation continues to guide my work today; a reminder that great automotive storytelling comes from agility, curiosity, and knowing how to find the shot when it counts.